Tag: Chicago

Margerumalia – A Spotlight on Betty White

Eric Margerum

Newsletter – July 11, 2025

I stood in line behind Betty White. I was nineteen and she was legendary.

I wanted to say something, but knew it had to be worth saying.

This moment happened in Akron, Ohio, where I was working as an apprentice for The Kenley Players. Kenley also had summer contracts with theatres in Dayton and Columbus. Most of the summer I worked in the box office but I also got to do an occasional load-in or a load-out because it was an eleven show season. One week performances with one day of travel between cities. John Kenley was great about making sure his apprentices were included in free dinner events put on by local restaurants. 

I did this for two summers while I was in college.

Betty White was there both times. 

The first season began with the musical Chicago featuring Alan Ludden, known mainly as the long-running host of “Password.” He played the flamboyant lawyer Billy Flynn, who gave them “the ol’ razzle dazzle” to secure a not-guilty verdict for Roxie Hart. He was good with the role, too, playing just the right balance of manipulation and charm. 

He was also married to Betty White. 

Here’s a charming clip of Betty White flirting with Allen Ludden the first time she appeared on “Password” as one of the celebrities. https://tvline.com/news/betty-white-allen-ludden-password-romance-974130

In many of my celebrity meet-ups I only thought of the right thing to say five minutes afterwards, but this time I think I nailed it. After complimenting her work on “The Mary Tyler Moore Show” I asked her whether she preferred performing on stage or for the camera. 

She told me that a sitcom like MTM was the best of both worlds. They got to perform in front of a live audience as well as playing for the camera. She proved that a few years later when she co-starred in seven seasons of “The Golden Girls.” Living her best life even after the death of her beloved husband. 

My second year with The Kenley Players I was stationed in Dayton where I spent a lot of time with the stagehands in addition to working in the box office. That was the year Betty White was the star in “Hello, Dolly!” and I played a big role in letting her shine. 

I was assigned to sit in the fly rails for that show, where a huge dimmer board controlled all the lights of the production. The union man, an Old Pro that I looked up to, operated most of the dimmers but in the days before computer-operated boards sometimes three or four hands were needed. I took great pride in pushing the sliders to just the right levels at the right time. 

When there were lighting problems in Akron and the Old Pro was needed there, he told me that I knew how to do it all and that another union guy would be brought in to be my assistant. I was in charge, he told me, mounting his Harley to zip out to Akron.

My new assignment included the moment in the title song when Betty White appeared at the top of the stairs to be serenaded by the waiters in the restaurant. The only part of that entire show that I remember was timing the Betty White Special to the music after the cue from the stage manager. (We could see the top of the stairs but the SM couldn’t.) I’m proud to say the Betty White Special was perfect every time. 

Next time you watch a movie, a TV show, or live theatre, take a moment to appreciate the many names of people behind the scenes who really, really care about getting it right every time. 

I’ve been a fan of Betty White to this day.

TTFN

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Margerumalia – The Great Chicago Fire

Eric Margerum

Newsletter – May 16, 2025

PHOTO CREDIT: NewYorker.com

Did the Great Chicago Fire really begin in the O’Leary’s barn or was that just a story?

Were the sidewalks of Chicago in 1871 made of wood like you see in the old westerns or were they made of paving stones? Because wood burns, stones, not so much. 

Why do the photos of Chicago from that time period show telephone poles along the streets when telephones weren’t invented yet? The patent for the Bell Telephone wasn’t granted until 1876.

It’s interesting the questions that pop up when you’re writing about historical events. I hadn’t thought about the number of things I’d want to know to create a realistic picture of the past.

In The Most Amazing Museum of Chicago two of my characters travel back in time to the Great Chicago Fire and I want the readers to feel like they were really there. 

Yes, the fire did start in the O’Leary’s cow shed but there are multiple theories about how it began and who was responsible, so I get to make that part up. The kids in the story will witness it and may be partly responsible. The O’Leary’s house was spared because the fire spread north away from their home and you can find maps on line showing the devastation that followed. 

The sidewalks of Chicago in 1871 were wooden slats in some places and paving stones in others, depending on wealth and location. Modern poured concrete wouldn’t come into use for another twenty years. It was probably used in the later rebuilding of The Windy City.

And the telephone poles are actually telegraph poles. I had no idea that the telegraph lines would be all over the place like that. I don’t know how I’ll use that information, but it’s interesting to know.

I’m reminded of when I directed a production of The Outsiders a couple of years ago—not the musical version that’s currently just on Broadway—and I had to tell the kids not to give each other high fives after they successfully fought off the other gang of teens. When I told them the move hadn’t been invented yet, they looked at me like I was telling them shoes hadn’t been invented yet. The high five developed out of the “gimme five” hand slap of the 1960’s and wouldn’t be commonplace until the early 1970’s. The Outsiders takes place is the mid-1950’s, so a high five would be completely out of place. The actors found other ways to celebrate their victory.

As a writer friend pointed out, you don’t want to cause your reader, or audience member, to get distracted by things that are out of place. You just want them to be in the story.  

TTFN

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If you received this email because it was forwarded to you by a subscriber, welcome. You can subscribe as well by following the link on my website: ericmargerum.com. A free story awaits you there.