Margerumalia – A Holly Jolly Christmas

Newsletter – December 19, 2025

PHOTO CREDIT UNKNOWN

One camera, two actors, a director, and a camera operator stood in front of a little A-frame bungalow in the middle of Oxnard Beach, California. 

“That’s Burl Ives!” I said to my cousin Doug. Our Grandpa shushed me. Maybe he didn’t want us to ruin the shot, probably not, he had no experience with show business. I think he didn’t want these men to be bothered by a couple of nine-year-old kids. 

“I have his record, Grandpa,” I told him. “The Big Rock Candy Mountain. I know all the songs—”

Grandpa shushed me again. He’d heard me sing many, many songs by heart and he knew that with the slightest encouragement I would break out my repertoire.

Singing songs has always been a great joy in my life, and I knew at an early age that life really ought to be a musical. No wonder I went into theatre!

Burl Ives was an early part of that love of music. Besides being an actor, he was also a folk singer, and my brother and I just about wore out that record of his folk songs before we outgrew it.

Well, my brother outgrew it. I had it all memorized and those songs became a part of my life’s mental soundtrack.

My mental Holiday soundtrack includes the voice of Burl Ives singing “Holly Jolly Christmas,” “Silver and Gold,” and, of course, “Rudolph the Red-Nosed Reindeer.” Oh, sure, other artists have covered these songs, and done them well, but it’s the voice of Burl Ives I’ve heard in my mind for over fifty years now.

Watching Burl Ives and his costar act out this brief scene on the beach we were their little audience of three. Quite a treat for my summer visit to California!

When they were done, Burl Ives smiled and waved at us before Grandpa led us away. But then the director—probably a second unit director based on what I now know about film and TV—came over to us and kindly told us the name of the TV series, the network, and about when the episode would air.

It was called “The Bold Ones: The Lawyers” and it aired at ten o’clock at night, so I never saw it. VCR’s wouldn’t grow into popular use for another dozen years.

Think of me when you watch the Rudolph special, and know that my little nine-year-old self is singing along with Burl Ives, who, like the main character, “will go down in his…to…ree.”

TTFN

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While typing this newsletter I did a search for that TV title on YouTube. It’s there! Full episodes. I skimmed through two of them without finding a beach scene. There are 25 more episodes to look through, so if I find the scene, I’ll let you know. 

My other experience of TV and film is that scenes are sometimes left lying on the editing room floor, as with my IMBD-credited performance in “Right To Die” with Raquel Welch.

Ah, well, that’s show biz!

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My middle grade novel, The Most Amazing Museum of Los Angeles is available through The BookBaby Bookshop at https://store.bookbaby.com/book/the-most-amazing-museum-of-los-angeles

Margerumalia – Getting Ideas

Newsletter – November 14, 2025

Well these weren’t here when I walked down this path on the way to the park. I wonder if someone dropped them or just abandoned them…

I wonder. 

That’s what I do. I wonder. And ideas begin to take shape. 

I showed this photo to my wife—the photographer—and she complimented me on the composition after I described a different version that didn’t include the path in the distance. Isn’t it exciting to realize what you’ve learned from your partner just by sharing interests?

“Now there’s a writing prompt!” she said, reflecting my thoughts back at me. “It makes me think of someone who was so scared he jumped out of his shoes and ran. Or  maybe a huge eagle grabbed him and flew away leaving just his shoes.”

“Right?” I asked, feeling the juices of more stories start to bubble up in my imagination.

In my newsletter from two weeks ago I wrote about a 12-year-old girl who came to my book signing at Main Street Books. She wants to be a writer and her mother encouraged her to ask me questions. As did I. 

Of course, the most commonly asked question of any writer is “Where do you get your ideas?” Especially when the writer has written a fantastical adventure tale! 

Just as the girl asked me that question, a customer walked past, saw my flyer about the kittens, and exclaimed “Awww, they’re so cute!” as she passed by.

“There’s a story right there,” I told her. Maybe she always wanted to adopt a kitten but lives in an apartment that doesn’t allow pets. Or maybe she had a cat who passed away but looked just like one of these kittens. Everyone has a story to tell, right?” The girl nodded. “If you pay attention to other people and listen to their stories, that’s a great way to begin. And then you can start playing around with those ideas by using your imagination.” 

I didn’t tell her that I was a notorious daydreamer in school. My mom told me I was an easy child because she could set me in the middle of the room with a handful of toys and I would entertain myself for hours. She was right! I remember doing that.

My attraction to theatre was a natural extension of that kind of thinking. Hey, Eric, do you want to join a group of students who all use their imaginations to tell stories and then add sets, costumes, props, lights and more? Hey, sign me up! What a perfect activity for a devoted daydreamer!

Taking my own advice, I made a point of asking the girl what she had written and then listened to her story. I could tell we were kindred spirits, dabbling in fantastical worlds and characters. I could also tell that she appreciated having an adult listen to her like an equal while encouraging her aspirations.

So what flight of fancy did my imagination run to when I saw these shoes?

Maybe they’re lying in wait for you to come along and try them on, because they’ll take you into a world where trees talk, birds read your thoughts, and dreams come true. 

TTFN

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Sinking Feeling

Having failed to lure Tabitha into our humane trap, Debbie and I pivoted to catching her kittens instead. Maternal instincts are a pretty major influence so this could be the needed work-around. We only managed to catch four of the five before the early snowfall, but we still hope the last one will give the cage a try.

They’re isolated in our small downstairs bathroom and when I went to visit them, these two were cuddled up together in the sink. That’s like a greeting card photo, right?

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If you received this email because it was forwarded to you by a subscriber, welcome. You can subscribe as well by following the link on my website: ericmargerum.com. A free story awaits you there.

Margerumalia – What I Learned In Kindergarten

Newsletter – November 7, 2025

I had the pleasure of going to see twelve high school students perform a one hour version of this play on Sunday. I had directed all of them in junior high or high school plays over the past seven years. Some backstage students, too, and several more who were in the audience. 

Talk about a proud Papa! I got to sit in the auditorium and appreciate how much each of them had grown, both as actors and young adults.

The new director told me that when the students heard I was coming, someone had said “I hope he’s ready for a lot of hugs.” That really warmed my heart, and after the show I gave and received lots of hugs! 

The play also made me stop and think about what I had learned in kindergarten. 

It’s not easy to remember specifics after sixty years, just a lot of general things. One day we made applesauce, which was delicious! On another day we learned our addresses and phone numbers by pasting pieces of construction paper onto a page and writing on the house cut-outs we had made. 

I’m sure we also learned please and thank you, if we hadn’t already learned those “magic words” by watching Captain Kangaroo on TV.

But what stands out in my mind is the epic incident of a visit from Batman.

You see, my friend Rob had a Batman costume from Halloween and I had my Superman costume. He came up with the idea to wear them to school because, you know, that’d be really cool. 

The next morning when I told my mom what we were going to do, she vetoed the whole notion. Halloween was months behind us and, despite my protestations that Rob was going to do it, the answer was NO.

We walked to the elementary school with Rob in full Batman gear, cowl and all. And when we arrived at the classroom, the kids erupted. 

The Batman TV series was playing every week and the Caped Crusaders were enshrined on lunch pails, cereal boxes, and jars of peanut butter. To have Batman show up in your classroom was a lightning bolt from the sky! 

Have you ever experienced mob behavior? I got my only taste of it in kindergarten.

Like a kennel of loose puppies on a sugar high, the entire classroom rose as one and headed straight for Rob. He did the only logical thing. He ran. 

A double classroom of forty or fifty kindergarteners (it was the Baby Boom, not enough classrooms) chased my friend around the playground like a swarm of bees defending their hive.

I chased him, too. Like I said, mob mentality.

We ran until everyone was exhausted, including the teachers, who were insisting that we come in AT ONCE.

What did I learn? I learned that I was perfectly capable of getting caught up in the moment along with dozens of other children. When Rob later asked me why I chased him, the answer was simple. Because everybody else was doing it.

I expect that the two kindergarten teachers gave us a firm talking-to on how not to behave, but I have no memory of that speech, just the unruly run around the playground under the influence of all those kids. 

What I learned in kindergarten was that crazy things can happen when you’re part of a mob. And you know what? I haven’t done it since!

TTFN

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My wife took this picture of Tabitha nursing her kittens on the back deck. I thought I’d share it with you. Talk about a mob. It’s an entire kittenkaboodle! (I figure if I use that word enough it’ll catch on.)

Tabitha entered the humane trap a few days ago and backed out with a mouthful of food without setting off that hair-trigger spring. Clever girl!

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My middle grade novel, The Most Amazing Museum of Los Angeles is available through The BookBaby Bookshop at https://store.bookbaby.com/book/the-most-amazing-museum-of-los-angeles

Margerumalia – Halloween Kittens

Newsletter – October 31, 2025

Here’s a bit of a fright: five more kittens! 

Three torties (tortoise shell markings), one tabby (already looking like her mother), and one black cat (a Halloween kitty).

If you’re thinking you only see four in the photo, zoom in on the black kitten in the middle of the kittenkaboodle*. Its head is down but if you can find the eyes, you’ll suddenly see the fifth kitten. It’s like one of those Magic Eye pictures. 

While you’re looking closely, check out the paw of the tortie to the far right. There’s a bright white patch on the toe, like a mani-pedi gone awry. But totally adorable. I’ve already started calling her Toe White.

We’re thinking we can drop one in the first five Trick-or-Treat bags that open up when we answer the doorbell. A trick that grows into a treat! Probably throw in a can of cat food for good measure.

So all that time we spent worrying about getting Tabitha back to her unseen kittens when we took her to the vet was absolutely accurate! And she’s now bringing them around for us to take over the feeding of the brood. We’re pretty sure they’re nesting under the deck by way of a small opening at the steps.

In my updates from the last few months I’ve mentioned how streetwise Tabitha is—dare I say cagey—and that she won’t walk into the humane trap we used before. 

I’ve imagined the old fashioned upside-down cardboard box held up by a stick, but you have to be there to pull the string, AND be ready to hold down the box during the thrashing of a frightened feral cat, AND have a way to transfer the cat from the box to a cat carrier. Not very practical.

I’ve also thought about childhood TV cartoons of a dog catcher carrying a big net on a stick. They don’t do that anymore.

Tabitha still needs to get those non-dissolving stitches removed, so stay tuned for more updates and more precious kitten pictures.

TTFN

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I thoroughly enjoyed my Saturday at Main Street Books in Lafayette, made several new friends and got to encourage a 12-year-old girl who already knew she wanted to be a writer. I could see her mother’s gratitude and approval for what I was saying. Their mutual thanks were really special to me.

I also got to reunite with some of the high school students I had directed in plays over the last few years. They were at the Farmer’s Market outside and were so enthusiastic about coming in to see me. They have a play coming up this weekend and I’m excited to see what they’ve accomplished under their new director.

After the book signing, Debbie and I visited one other former high school student working up the street. They are already out of college, also a writer of plays, and we got to talk shop between customers. They work at Scones & Doilies and let me tell you, walking into that bakery, the aroma alone will register an additional five pounds on your bathroom scale. And you won’t object because it’s heavenly! We bought a few treats, including gluten free options that Debbie could enjoy.

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If you received this email because it was forwarded to you by a subscriber, welcome. You can subscribe as well by following the link on my website: ericmargerum.com. A free story awaits you there.

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*kittenkaboodle—get out your scorecard, Eric has added one more word to the English language!

Margerumalia – Encountering Bradbury

Newsletter – October 17, 2025

Ray Bradbury. On campus. In person!

It was my first semester at the University of Southern California where I was working on my Master’s Degree, and one of the great icons of science fiction was coming to campus to speak!

The man who wrote Fahrenheit 451, The Martian Chronicles, Something Wicked This Way Comes, and countless short stories. THAT Ray Bradbury. 

And because I was born in October, he clearly wrote The October Country just for me. I had to meet him!

What made me think of him for this newsletter? I’ve been listening to his novel Death Is A Lonely Business, another Bradbury masterpiece that he wrote in 1985. It features a young aspiring writer in 1949 living alone in Venice, California, who gets caught up in a murder mystery that’s rife with haunting metaphors of fog and mist, and a pay phone that rings in the middle of the night only to deliver the sound of a distant person breathing.

Bradbury doesn’t write horror, he writes the stuff that makes you pull your covers over your head to protect yourself from the monsters under the bed. The psychological terror of childhood fears. He’s a poet of anxiety, a purveyor of winds off the graveyard.

In this novel, his protagonist is writing some of the same stories that Bradbury himself wrote in his younger years. An informed reader will hear the echoes of stories like “The Fog Horn,” “The Wonderful Ice Cream Suit,” and many more. I was transported to when I had first read these stories and felt like Bradbury was telling me the origin of each story.

In his talk at USC, he pointed through the dark auditorium, his finger penetrating the walls and across the quad. “The library,” he told us, “that’s your most important education of all right behind you.” The university had a huge library. “Go read,” he told us, “anything you can get your hands on. That’s where you’ll learn the most. One book will lead you to the next and the next… Never stop.”

I never have.

While I sat listening to him speak I thought about the many stories he had adapted into short plays, and I wrote him an invitation to see me in my first play at USC, Eugene O’Neil’s “Ah, Wilderness!” I promised to reserve two tickets for him if he could make it.

The other advice he gave about writing was entirely practical: begin by writing short stories. You can spend a year writing a terrible novel and it’ll waste a year of your time, or you can write fifty-two short stories, one a week, and sell at least one. He defied anyone to write fifty-two terrible stories in a row, one of them was going to be good!

A few years later I wrote one story and sent it in to Isaac Asimov’s Science Fiction Magazine. I sent it on paper, through the mail, with an SASE (Self-Addressed Stamped Envelope) so they could send me their reply. I still have that story in my files, and my rejection slip. I was too embarrassed to send it out to another magazine, or to write fifty-one more. My bad.

I was also embarrassed when I handed Mr. Bradbury my hand-written invitation to see my play. Others were waiting in line for autographs but I had to run to class so I just handed him the folded paper. 

“Does it have your return address?” he asked, stopping to take me in, probably seeing a reflection of himself in my eyes. 

“No,” I answered, “you don’t have to answer it.” 

I still picture him opening up my note and reading it long after the play was done, thinking to himself “I’d like to have seen that.”

TTFN

* * * * *

Tabitha is still coming to eat her medicated food, but we’re going to run out. We need to capture her soon. Her son, GG, looks in the window to see if I’ll come out to pet him while he eats. He also lies on top of the picnic table outside to watch TV with us every night.

He’s so ready to be domesticated.

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For anyone who lives around Lafayette, Indiana, I’ll be signing copies of The Most Amazing Museum of Los Angeles at Main Street Books on Saturday, October 25th from 10:00 AM to 2:00 PM. 

The books make a good holiday gift for children ages 8 to 12. I’ve heard from parents and grandparents who have read the book aloud—the original audiobook—saying they created special memories with the young folk. 

I can sell you a MAMLA coffee mug for your hot apple cider, and I’ll be giving away bookmarks and mazes if you just want to come by and say hi.

October 25th is the last day of the Farmer’s Market for the 2025 season. Always a fun time and just a block away from Main Street Books.

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If you received this email because it was forwarded to you by a subscriber, welcome. You can subscribe as well by following the link on my website: ericmargerum.com. A free story awaits you there.

Margerumalia – 20 Years Since Katrina

Newsletter – September 5, 2025

I was preparing to direct a stage version of Dead Man Walking in Wichita when Katrina hit the Gulf Coast.

The Death Penalty Discourse Center operated out of that area. Had they even received the check for the performance rights? I had no way of knowing, and they were unreachable. Louisiana was hit hard.

There was nowhere to go but forward. 

Sister Helen Prejean’s bestselling memoir had been adapted into an Academy Award winning movie and, as a theatre professor working in a university founded by nuns, I knew this would be a significant opportunity. The hurricane turned many lives upside down and this play did the same.

I gathered a cast of very talented and dedicated actors who understood the gravity of this story and the questions of life and death. Even my eight-year-old daughter played an important role as the surviving sister of the murder victim. She delivered a haunting performance as the forgotten child, emotionally abandoned by her parents who were drowning in their own grief.

A local sister who ministered to prisoners on death row came to speak to the cast about “her men.” She told us moving stories of the men who lived daily with the regret of their deeds and their desire to make things right with the survivors, their consciences, and God. Her words transformed them from monsters into flawed human beings. 

For the execution scene, the university choir recorded a moving rendition of “Amazing Grace” that played through the prisoner’s death and the removal of his body on the gurney. The audience didn’t know that the sweet tenor solo in the recording was sung by the actor playing the prisoner. 

I have personal notes from several actors thanking me for the opportunity to live and feel the reality of their characters. One even described how she and the actors playing the parents of the murdered girl broke down in a group hug backstage, holding one another and weeping. She was thanking me for that experience.

My wife and I watched TV for weeks during Katrina recovery efforts, saddened by the mounting death toll.

Eventually the check did clear. Sister Helen and the members of The Death Penalty Discourse Center were among the survivors. I’m sure they were changed by the experience. I know we were.

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If you received this email because it was forwarded to you by a subscriber, welcome. You can subscribe as well by following the link on my website: ericmargerum.com. A free story awaits you there.

Margerumalia – Thesaurus Anyone?

Newsletter – August 1, 2025

PHOTO: Facebook @ForReadingAddicts

Have you had it up to here with hearing the word “unprecedented”? I have. 

The other day a news anchor interrupted herself to apologize for using the word before she said it. Again. When “unprecedented” becomes attached to “sorry for using this word so much” it’s time to stop using it. Don’t ya think?

It’s like the commercials on TV that cause us to dive for the remote and desperately stab at the mute button so we don’t have to hear that annoying voice yet again. 

I don’t do that with Progressive commercials because they’re so creative and humorous, and they’re usually replaced before I can grow weary of them.

Using my Merriam-Webster Thesaurus app, I found several substitutes for unprecedented. Words like fresh, new, novel, original, pioneering, and trailblazing all have a degree of admiration that might be too much praise for a news program, but words like unconventional, unheard-of, and even unique would be welcome replacements.

Notice in the paragraph above I referred to synonyms by mentioning a thesaurus and then used the words “substitutes” and “replacements” rather than using “synonyms” several times over. 

This is the joy of the English Language! We have so many options with so many shades of meaning. 

The other day I started a short story completely unrelated to my drafting of The Most Amazing Museum of Chicago and I couldn’t quite find my way into writing it until I tried it in second person (using the pronoun “you”). Suddenly it landed just right, creating a mood I didn’t even know I wanted. But that word “you” tripped me up a bit. There’s no alternative word in second person, even first person has the variance of I/me. 

That’s my challenge as a writer. What are my options? How do I solve this puzzle so my reader doesn’t dive for the remote. I don’t know yet but I’ll be working on it.

It’s strange, it’s novel, it’s new. Just not unprecedented.

By the way, precedence just means it happened before. It’d be okay to say “nothing like this has ever happened before.”

We have a saying in theatre: less is more. 

Would less use of “unprecedented” be more than I could hope for?

TTFN

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My middle grade novel, The Most Amazing Museum of Los Angeles is available through The BookBaby Bookshop at https://store.bookbaby.com/book/the-most-amazing-museum-of-los-angeles

Margerumalia – A Spotlight on Betty White

Newsletter – July 11, 2025

I stood in line behind Betty White. I was nineteen and she was legendary.

I wanted to say something, but knew it had to be worth saying.

This moment happened in Akron, Ohio, where I was working as an apprentice for The Kenley Players. Kenley also had summer contracts with theatres in Dayton and Columbus. Most of the summer I worked in the box office but I also got to do an occasional load-in or a load-out because it was an eleven show season. One week performances with one day of travel between cities. John Kenley was great about making sure his apprentices were included in free dinner events put on by local restaurants. 

I did this for two summers while I was in college.

Betty White was there both times. 

The first season began with the musical Chicago featuring Alan Ludden, known mainly as the long-running host of “Password.” He played the flamboyant lawyer Billy Flynn, who gave them “the ol’ razzle dazzle” to secure a not-guilty verdict for Roxie Hart. He was good with the role, too, playing just the right balance of manipulation and charm. 

He was also married to Betty White. 

Here’s a charming clip of Betty White flirting with Allen Ludden the first time she appeared on “Password” as one of the celebrities. https://tvline.com/news/betty-white-allen-ludden-password-romance-974130

In many of my celebrity meet-ups I only thought of the right thing to say five minutes afterwards, but this time I think I nailed it. After complimenting her work on “The Mary Tyler Moore Show” I asked her whether she preferred performing on stage or for the camera. 

She told me that a sitcom like MTM was the best of both worlds. They got to perform in front of a live audience as well as playing for the camera. She proved that a few years later when she co-starred in seven seasons of “The Golden Girls.” Living her best life even after the death of her beloved husband. 

My second year with The Kenley Players I was stationed in Dayton where I spent a lot of time with the stagehands in addition to working in the box office. That was the year Betty White was the star in “Hello, Dolly!” and I played a big role in letting her shine. 

I was assigned to sit in the fly rails for that show, where a huge dimmer board controlled all the lights of the production. The union man, an Old Pro that I looked up to, operated most of the dimmers but in the days before computer-operated boards sometimes three or four hands were needed. I took great pride in pushing the sliders to just the right levels at the right time. 

When there were lighting problems in Akron and the Old Pro was needed there, he told me that I knew how to do it all and that another union guy would be brought in to be my assistant. I was in charge, he told me, mounting his Harley to zip out to Akron.

My new assignment included the moment in the title song when Betty White appeared at the top of the stairs to be serenaded by the waiters in the restaurant. The only part of that entire show that I remember was timing the Betty White Special to the music after the cue from the stage manager. (We could see the top of the stairs but the SM couldn’t.) I’m proud to say the Betty White Special was perfect every time. 

Next time you watch a movie, a TV show, or live theatre, take a moment to appreciate the many names of people behind the scenes who really, really care about getting it right every time. 

I’ve been a fan of Betty White to this day.

TTFN

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If you received this email because it was forwarded to you by a subscriber, welcome. You can subscribe as well by following the link on my website: ericmargerum.com. A free story awaits you there.

Margerumalia – Another Opening, Another Show

Newsletter – June 27, 2025

By the time you read this it’ll be opening night of our Civic Theatre Short Play Festival. I’ve directed one of the plays and I’m looking forward to seeing how it’s received.  

Last year I directed a ten minute play with three cows, this year I’m directing a ten minute play featuring three bags of dog food and a Roomba. 

Spoiler alert, Woofy has died. 

The bags of dog food are sitting in the pantry contemplating their inevitable end. The Roomba has no lines, it just moves endlessly around the stage. It’s an absurdist comedy called “Best Before” by Judson Wright.

Like “Waiting for Godot,” perhaps the most well-known example of absurdism, “Best Before” has some comic banter as well as some existential suffering, but what really touches me in this play is the final sentiment: you mattered.

I do feel that everyone matters and that our ability to empathize is one of the greatest features of humanity. It wounds me deeply when I see people intentionally stomp all over that gift in an effort to enrich themselves or show off their ability to be a winner. What is it to win when so much is lost?

I’m not talking about the mistakes we all make, a failure to see someone else’s pain, or the moments of weakness that cause us to lash out. Those can be humbling when we realize what we’ve done and our better angels remind us to do better.

Empathy and love are mighty forces and they breed even more empathy and more love. My wife and I continue to talk about our daughter’s wedding last month and the incredible “village” of friends and family who wrapped their love around two people, putting all of their effort into making it a memorable celebration that they pulled off without a hitch. Of course it helped that most of them were theatre people who knew how to pull off a production, but even the DJ and the photographer said it was one of their favorite experiences. You know the feelings were shining through.

Empathy is also the realm of the artist. Some of the most moving songs are written by artists who observed someone else’s pain or their joy. The greatest actors have the ability to move you by bringing genuine feeling to their roles. Photographers excel at capturing poignant visions of the world around you. The best story tellers draw you into the world of their stories and your range of experience grows as you place yourself in the shoes of those characters. 

I encourage you to support the arts in a time when funds are drying up and empathy is at a low ebb. Go to the library. Go to an art gallery. Go to a play…

Be great. You matter.

TTFN

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If you received this email because it was forwarded to you by a subscriber, welcome. You can subscribe as well by following the link on my website: ericmargerum.com. A free story awaits you there.

Margerumalia – Stories From The Professor

Newsletter – June 13, 2025

It’s kind of incredible for me to imagine that this picture of my father was taken when he was younger than I am now. He was almost ninety when he died, so I still have a ways to go, but this picture of him is solidly placed in my memory as “Dad.” 

Dad, whose work as a Professor of Chemistry took the family on two sabbaticals in Europe. Dad, who planned camping trips and canoe trips, who played tennis and squash, who liked listening to jazz, who had season tickets to Big Ten football games. Dad, who was quick to pull out a pen and write on a napkin when we had math or science questions at the dinner table. 

Dad, the teller of stories!

Mom read us books as we travelled cross country and she was very much a part of the hiking, tennis, music, sports, and wanderlust, but when we found our campsite and built the campfire, Dad had a story to tell. 

Dad and his brothers grew up in a small town outside of St. Louis, now part of the greater metropolis, and when he was a teenager he got a summer job with the Parks & Recreation Department that included, among other things, telling stories to the younger kids. I imagine them gathered beneath a shady elm tree to stay out of the sun in the hot, humid Missouri afternoons.

He couldn’t remember the content of those stories. Like improvisation, you’re only in the moment, following your imagination, following your impulses.

I later learned that this was my preferred approach to writing stories, the “pantser” approach (from “flying by the seat of my pants”). I think my improv training played into this approach, but with Dad it was instinctual. 

He got ideas from people around him or the landscape or the animals. When my younger brother was avid about collecting rocks and we were traveling west, Dad invented a character who was nicknamed Rock Hound because he, too, had a huge interest in rocks, and his tracking skills were developed from that fascination.

Fast forward about twenty-five years to when I was teaching Theatre at Carthage College.

My wife and I still talk about the lecture Dad gave when he offered to tell the chemistry students about his latest research. There were about a dozen students and a couple faculty, so we sat in on the lecture, too. 

Neither of us can remember the content of his talk, most of the science was over our heads, but we still recall that he was telling a story. He presented the question that the research team wanted to solve, told about the experiments they created to find the answers, described the hurdles they encountered along the way, and wrapped it all up with what they discovered. 

Classic story structure! Short of ending it with “…and they all lived happily ever after.” 

Thanks, Dad, for raising me with stories to show how it’s done. 

Fast forward another twenty years.

Dad was in Memory Care when I was writing MAMLA and I would spend three days a week with him while Mom was getting dialysis all afternoon. He’d read the newspaper while I wrote the latest adventure of the Shafer Family. One time he asked me what I was writing so I read him the passage where Ryan and Maria were escaping the dire wolves and he said he it was very exciting. 

That memory makes me smile. Approval from the teller of tales.

TTFN

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