TheBride! – Eric Margerum

Newsletter – March 27, 2026

Debbie and I stopped for a selfie beside the movie poster for The Bride! at our local theater. The two monsters are on the right, in case you were wondering.

A few days later we had another date night celebrating our meet-iversary at our favorite restaurant, The Bryant. The fact that The Bride! and The Bryant almost sound alike is just a lucky coincidence.

We met when a mutual friend, Kat, was celebrating her 40th birthday and invited each of us to a party in a very modern house perched high atop the Hollywood Hills. It wasn’t her house, but it was a spectacular work of architecture with large windows looking down on the lights of Sunset Blvd.

If you want to get a good look at the house where we met, you can find it on YouTube under “Lethal Weapon 2 (9/10) Movie CLIP – Bringing Down the House (1989) HD”. Don’t worry about the fact that Mel Gibson drags the house down the hillside, that’s just a model. We visited the house a couple years ago and it’s still there.

Debbie was Kat’s massage therapist, and Kat and I were both in the same acting class. Kat knew I was working as a bartender at the Pantages Theatre and she offered to pay me to pour wine at her party. I offered to gift my services in honor of her birthday and she thanked me, telling me to consider myself a guest. “There will also be single women there,” she added with a smile. (As a friend of my ex-fiancee, she knew I had been single for about a year.)

Kat’s comment to Debbie was similar: “There will also be single men there.”

Debbie came down the stairs and smiled at me, and I thought I’d like to be the one who kindled that smile for years to come. She, in turn, has said many times that her first thought was “Oh, there’s my future husband.” We talked throughout the rest of the evening and got married a year and two months after that.

Is that a classic Hollywood meet-cute or what?!

Someone gave us a photo of Debbie and I from that night and it sits in a place of honor on our mantle. That’s me on the left, mid-sentence, talking to my acting teacher. Debbie is in profile holding the wine I poured her. No one knows who the skinny-tie-guy is, but he’s holding an empty wine glass so that might explain his expression of exasperation.

Not my fault, I had just met my future wife!

TTFN

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Newsletter – March 13, 2026

Our daughter’s appearance in The Bride! came at the very end during the closing credits. That’s Lora holding the ax.

We thought the movie was over and her scene had been cut. Two proud parents watching the whole movie only to realize that their daughter’s scene was left on the cutting room floor (or whatever the digital equivalent may be).

BUT THEN the credits continued over Lora’s scene just as she described it! The picture above is her second appearance, the first came right at the very start of the scene, as her Dad shouted “There she is!” Good thing the matinee was practically a private screening and the music played loudly enough that no one else heard me.

Speaking of music, there were two spots in the film that made me laugh at Gyllenhaal’s choice of music. For the end credits they played the old Halloween favorite “The Monster Mash” which reflects the theme of Mary Shelley’s monster who never got a name of his own. It also reflected the story’s trend of idolizing the two monsters.

The other musical homage was a full blown dance number to “Puttin’ On The Ritz,” which was also used by Gene Wilder in Young Frankenstein. In fact, Christian Bale yells that titular phase during the dance with the same inflection that Peter Boyle’s monster had used. Nice touch!

The movie was not a horror movie. In fact, I only averted my eyes for about 10 seconds twice so I wouldn’t see what I was afraid I was going to see. (I’m sort of talking around those two moments to avoid a spoiler.)

The Bonnie-and-Clyde dynamic I mentioned last week is an apt comparison, but the significant difference is the number of camera angles where women react to The Bride’s rants. In one such rant she even repeats “Me too!” several times. It’s clear that she’s having an impact which will gradually grow stronger. It also motivates the scene Lora is in, where women have adopted the look of The Bride and flaunt the weapons they carry to defend themselves.

It’s a film where the monster is a kind and loving man contrasted by many other men who are truly monsters.

I wouldn’t have gone to see the movie but for Lora’s appearance, but now I’m recommending it for you to go see. I think you’ll be glad you did.

TTFN

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Two weeks ago I shared my poem “Emerson Aaronson Sat By The Sea” and took it to my writing group for feedback. I thought you might be interested to know about its next stage of development.

Woody, a member of the group pointed out two lines that made him stop and re-read. They were:

A fish from the ocean that flies through the water

Or an eagle up-soaring just like her dad taught her.

Emerson is a boy and the female gender of the eagle caused confusion. After all, Emerson was imagining himself as the eagle. The reason I had done so was to enable the rhyme of water and taught her. Taught him wouldn’t work. We discussed the possibilities and Woody suggested making Emerson a girl instead.

I wasn’t sure if people would understand Emerson to be a girl’s name, but SURPRISE, in 2024 the girls named Emerson outnumbered the boys by about three to one.

I went through the poem changing every he to a her and every himself to herself and it works really well! Thanks, Woody!

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My middle grade novel, The Most Amazing Museum of Los Angeles is available through The BookBaby Bookshop at https://store.bookbaby.com/book/the-most-amazing-museum-of-los-angeles

Tag: TheBride!

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